Lindsay Ell - The Borderline (16/10/18)

• Line-up: Lindsay Ell with special guest Jake Morrell

• Date: 16th October, 2018

• Location: The Borderline, London

• Review by: Gary Smith (LCM)

Concerts by Canadian singer-songwriter Lindsay Ell are always very special and her recent headline performance at The Borderline in London was no exception. Playing solo to a full house Lindsay captivated the audience with her superb guitar playing and catchy highly crafted songs. Unfortunately just before she flew to the UK Lindsay had most of her equipment stolen in Los Angeles, with one of the few survivors being her trusty Fender ‘Hector’.

First up was the young fast rising UK Country star London based, Norfolk born Jake Morrell rocking double denim and his acoustic guitar. An excellent set followed with Jake powerful vocals front and center. ‘Heading For Heartache’, ‘Long Way Round’ followed from his March released second EP ‘Englishman’ themed around Jake’s country music life in the UK. It was followed by the very good ‘Wire & Thorns’ from his ‘The Greenline’ EP, which received lots of BBC Radio 2 airplay and earned Jake a invite to play at Glastonbury. The pace slowed a little for ‘Once He Left You’ and a reflective new song about his parents ‘Half Your Love’, set for release next year. It was then the audiences turn to join in on the chorus on Jake’s song ‘Signs’ and then very neatly ending with the title track of his latest EP ‘Englishman’. Jake is definitely one to watch for the future.

After a short break Lindsay took to the stage with her Fender ‘Hector’ and a borrrowed pedal board loop station. She confessed that London was her favourite audience, which naturally received a very warm reception from the packed crowd. She used the loop station to great effect building her loops quickly and effortlessly. Lindsay is a top quality multi-instrumentalist and vocalist and this was a excellent showcase for her music.

Lindsay started her set with the very catchy opening track ‘Waiting For You’ from her debut album ‘The Project’. The whole audience singing along and providing the backing vocals. Appreciating what we have in life and being content with that is the central theme of ‘Castles’, which was inspired by her work on the ‘Continuum project. I also loved the rockier ‘Wildfire’ with it’s earworm of a guitar riff and a fantastic solo. It really reminded me of vintage Sheryl Crow.

The very catchy ’Champagne’ written about the wife of Justin Timberlake is one of my favourite songs of Lindsay’s debut album, so it was great to see included in her set. Another excellent song Mint’ is a love song about how a relationship is not always going to be a movie screen relationship, where you're getting flowers every day and everything is so sunny. It talks about a relationship being ‘real’ with just two people getting to know each other and that’s your version of perfect. Your version of mint. Lindsay finished the song with (Sittin’ On) The Dock of the Bay, which end giving the song a new twist. Lindsay has a great ability to write very memorable songs, full of excellent hooks and the next one ‘Good’ was a very example.

Another one of my favourites ‘I Don’t Trust Myself (with Loving You)’ from the new ‘The Continuum Project’ saw the introduction of a drum machine on Lindsay’s iPhone. She then asked for requests. Someone shouted ‘Hit Me Baby (One More Time)’ which was greeted by “Really??….ok then” seeing her slipping into a wonderful Britney cover on her acoustic guitar once again joined by the audience in full voice.

Lindsay said that she was a big Vamps fan and had recent co-written a song ‘Stumble Home’ which is now part of the new Vamps album. We were then treated to her 2016 hit the more Country flavoured ‘All Aright’. Lindsay has also just been on tour with the great Keith Urban. The next song ‘Horses’ was recorded with Keith for his latest album. Written by another very talented Nashville based singer-songwriter Caitlyn Smith, the wonderful ‘Space’ was a atmospheric, personal and reflective addition to the set.

The last song of the main set and a another highlight was her recent big hit ‘Criminal’. Lindsay comments “It's a love song. It talks about, I feel like I'm falling in love with you so much that you're stealing my own heart away from me."

For Lindsay’s encore we had something very special. ‘Not Another Me’ was written for one of her friends. Lindsay comments “A sweet friend of mine has muscular dystrophy and honestly has one of the most beautiful hearts I’ve ever met in my life. She is so honest, funny, generous, and is completely full of natural inner/outer beauty. She is one of my biggest supporters and fans of my music”. It was a beautiful heartfelt song played perfectly and intimately on her acoustic guitar, complete with a guitar ‘tapping’ intro.

When Lindsay left the stage at the end of her set to head for the Merch table, a long queue quickly formed to meet her after the show. The atmosphere was electric with the audience thrilled and very happy after witnessing an excellent performance. With a new album produced by Kristian Bush of Sugarland in the pipeline. The future is looking very bright for Lindsay and her music.

Lindsay, please come back to London soon :)

Music Makers Festival - The Half Moon, Putney (6th - 7th Oct 2018)

• Event: Music Makers Festival

• Date: 6th - 7th October, 2018

• Location: The Half Moon, Putney, London

• Website: www.musicmakersfestival.com

• Review By: Gary Smith (LCM)

The Music Makers festival in just it’s second year is rapidly becoming one of the premier events on the London music calendar. It wonderfully showcases the ‘songwriter and the song’, with original music the main focus. But with the occasional cover song added for good measure.

With 14 acts performing over two days the festival had an excellent new home at the historic music venue The Half Moon in Putney. The festival also highlighted the great talent and high quality music we currently have in the independent music world. Albert and Manoja even managed to add a few surprise guests into the already fantastic line-up.

Saturday

The festival opened with a fantastic young St. Albans based singer-songwriter Hope, with her beautifully crafted reflective piano ballads and pure vocals. Playing a mix of original material and a Nora Jones cover, Hope created the perfect opener with her very compelling performance. She mentioned that her father used to drink in The Half Moon in his university days, so it was very fitting that she had the opportunity to perform at the venue. Hope will also be supporting Brian McFadden at The Boisdale in Canary Wharf in early November.

Travelling over from Cork was one of Ireland’s most prolific singer-songwriters Jack O’Rouke. Dramatic and powerful piano ballads were the order of the day. A great mix of contemporary folk, blues, jazz and Americana, including an anthem for the recent marriage referendum in Ireland and a wonderful cover of Bowie’s ‘Life On Mars’ to finish.

Next up were the fast rising London based Country Pop and Americana band Two Ways Home. This time the band was playing in trio format with Lewis, Isi and Michael, which I thought worked very well. Gaining a lot of experience from running their own London Nashville style ‘Songwriter In The Round’ show ‘The Round Up’, they were perfectly at home on the Half Moon stage. Performing a mix of new and older songs they explained the origins their compositions, including some recent co-writes in Nashville including ‘Hope & Glory’ and ‘Vegas Wheel’. Their set ended with the the audience singing along to the very catchy ‘Push & Pull’.

Travelling up from Brighton was Jacko Hooper who has supported both James Bay and James Blunt on tour. Jacko had not performed in London for over a year, so it was a rare opportunity to catch him live. His songs reminded me of Damien Rice and Glen Hansard. One of the highlight of his set was the duet ‘Runaway With Me’ with special guest Rebecca Wrangler.

It was only fitting that one of the wonderful key organisers of the MM festival the award winning Albert Man took to the stage next. Joined by Dan on bass and Joe on drums Albert played a selection of new songs including ‘Chasing Rainbows’, ‘Blink’ and some old favourites ‘Shotgun’, ‘Say Out Loud’ and ‘Groundhog Day’.

One of my favourite bands of the day were the Treetop Flyers, a Folk-Rock/Americana band from London. Playing a rocky bluesy stripped set with just two members and one sitting in the audience. Super songs, guitar playing and vocals. They are supporting Israel Nash at the Scala soon and I would highly recommend booking a ticket. Also please check out their recently released self titled album.

The evening concluded with an excellent set by London based four-piece AKA George. Full of catchy songs, driving rhythms and a electrifying stage presence, they reminded me of the sadly missed INXS. Hailed as a ‘genius’ by Pharell Williams, AKA George is current gaining a lot of recognition with 30 million YouTube views, a headline performance one one of the stages at Glastonbury and one of the band singles ‘Stone Cold Classic’ used on a recent Skoda advert. Definitely one to watch for the future.

SUNDAY

The Sunday programme began in a similar way to Saturday with an excellent opening set from a young singer-songwriter, this time the very talented Lucy May Walker. Lucy is based in London but is originally from Redditch. You will often find Lucy busking around London including at the famous Southbank. Armed with her trusty acoustic guitar and thoughtful catchy songs she charmed the audience. One of the highlights of her set was her song about London living ‘You’re Not Alone', which she entered into a London song competition. Lucy will be having a live session and interview with Jeremy Vine on his BBC Radio 2 show on the 31st October. Also please check out her latest EP ‘Heartbreak Songs’

Also joining us from the Emerald Isle was Irish singer-songwriter Declan Greene. With great craic and a rich powerful vocal Declan was a charming and engaging showman. Opening his set with a powerful unaccompanied song and then picking up his acoustic guitar for the rest of the set. Songs included ‘River’, ‘Clean Break’ and a cover of the Moody Blues ‘Nights In White Satin’. The last song saw Declan play his song ‘Stay’ unplugged in the middle of the audience, exiting the packed room with the audience still singing along to the chorus.

London based singer-songwriter Mide and his band provided a change of style with their combination of smooth Soul, R&B and Rock, joined my fellow band members Joseph and Michael. Mide played a great set including ‘Name’ which he said was great for weddings, the rocky uptempo toe-tapper ‘The Way You Move’, a tribute to his father ‘Wind Chimes’ and two lovely songs about love ‘Wonder’ and ‘Falling For You’.

As a surprise the very talented Dublin born Gavin James performed a great two song mini-set. First with his song ‘Always’ on acoustic guitar, which he described as the ‘saddest song ever’ and then a lively duet with Declan on the Bruce Springsteen classic ‘Dancing In The Dark’.

The very classy Danni Nicholls always makes in impression with her great brand of UK Americana. She was nominated as ‘Artist of The Year’ at the recent AMA UK awards and it isn’t to difficult to understand why. Danni is currently working on her third studio album and from what I’ve already heard it is going to be very special. Her set included songs from the new album ‘Loosing It’ and ‘Ancient Embers’ as well as a few older favourites ‘Hey There Sunshine’, ‘Beautifully Broken’, ‘Back To Memphis’, ‘Long Road Home’. To finish ‘A Little Redemption’ which is based on a hymn, had all the audience joining in on the humming section.

Continuing the high quality music was London based Howard Rose with his brand of Soul and Country Rock n Roll. Howard was joined on stage by band members Joe Cartwright (bass) and Damon Claridge (drums). An excellent set including songs from his latest EP ‘Changes’ and a great cover of Harry Nilsson’s ‘Without You’

Mercury nominated Michele Stodart of The Magic Numbers is always a class act. With her 1964 Gibson Hummingbird in hand she treated the audience to new songs and songs from her solo album. She was joined by band members CJ James on drums and Andy Bruce on keys/bass. Listening to her set was a perfect way to spend a chilled Sunday night.

Closing the festival was another Irish singer-songwriter Kim Hayden from Wicklow and her band. Kim was a semi-finalist on the TV series ‘The Voice Of Ireland’ and see mentioned that it was her first time performing in London. Joining her on stage were Gus Crawford Collins, Geoff Warner-Clayton and brothers Ben and Ian Cully. Kim said that her drummer is from Putney, so he was playing on home turf. Often sharing the lead vocals with Ben, Kim played a lovely and entertaining set of her songs including her new single ‘Trouble’.

A special thank you to MMF founders Albert Mann and Manoja Ullmann for arranging, organising and hosting such a great festival. To Ross Macintyre (Play That Country Music) who did a a great job MCing and interviewing the artists and to all the hard-working MMF team. A special thanks also to Nina Jackson and her team at The Half Moon including sound engineer Linnea Kempe, who I thought did a fantastic job all weekend.

I can’t wait until the next one, a definite date for your 2019 diary.

A Winter Union - St. John On Bethnal Green, London (14/12/17)

• Line-up: A Winter Union (Katriona Gilmore, Jade Rhiannon, Jamie Roberts, Hannah Sanders and Ben Savage
• Location: St. John On Bethnal Green, London
• Date: 14th December, 2017
• Review By: Gary Smith (LCM)
• Live photos and video: Keith Bache

One of the musical highlights of the pre-Christmas period is the annual UK mini tour from folk super-group 'A Winter Union'. It brings together five of the leading lights of the current British roots scene, who have joined forces to create a festive folk band like no other. Their repertoire includes brand new, specially written songs, fresh arrangements of traditional carols both well-loved and little-known and seasonal classics from both sides of the Atlantic. High class musicianship and songwriting plus wonderful close soaring harmonies are the hallmarks of the night. This gig was made extra special as it was hosted at St. John's, a grand but rather cold early 19th-century 'Sir John Sloane' designed church, just a stone's throw from Bethnal Green Station.

'A Winter Union' was originally formed in 2015 for a one-off Yuletide concert. They returned in 2016 for more shows including one of the home's of UK folk music Cecil Sharp House in London and a live session on BBC Radio 3. This year brings the band’s first line-up change with BBC Radio 2 Folk Award winning Kat Gilmore & Jaime Roberts replacing another multi award winning duo Stu and Debbie Hanna from Megson.

The evening started in true seasonal fashion with the traditional and popular carol 'Ding Song Merrily on High' with Hannah and Jade sharing the lead vocal. This was followed by an original song called 'Every Midnight Mile', a tender and thoughtful charity single released in 2015 to raise money for 'Shelter' as part of the Song Ark project. This Americana Folk flavoured song reflected on 'being grateful for what we have' and was written by Kat. The original recording also included UK folk favourites Lucy Ward and Sam Kelly.

Secrets were revealed next as Ben confessed that his hobby away from music is cider making. The rowdy and rousing song 'Our Wassail' followed with Ben taking the lead vocals and featured very strong and lively fiddle playing from Kat. Wassailing refers to a traditional ceremony that involves singing and drinking to the health of trees on Twelfth Night in the hopes that they might better thrive. The purpose of wassailing is to awaken the cider apple trees and to scare away evil spirits to ensure a good harvest of fruit in the Autumn.

'Elizabeth' is a homage to Elizabeth Woodcock from Cambridge who after visiting a local inn and getting quite merry fell off her horse in the wintertime and was allegedly entombed in an ice cave in a snow drift for 8 days. She survived so the story goes on nuts and brandy. I loved the acoustic guitar solo from Jamie in this one.

It's always great to have a traditional song about yuletide kindness to peasants and 'Good King Wenceslas' fitted the bill perfectly. This popular Christmas carol that tells a story of a Bohemian king going on a journey and braving harsh winter weather to give alms to a poor peasant on the Feast of Stephen. The song featured Kat on tambourine (borrowed from Jade's daughter), Ben on Dobro and some fantastic three part harmonies from the group.

We were treated to an 'almost' world exclusive live premiere (2nd play) of an excellent new song written by Kat called 'Fox In The Wintertime' which geatured Kat on lead vocals and Jade on BV's. To close out the first half 'The King' featured 'the king of birds' the wren. The ancient annual hunting and killing of the little wren symbolized of the death of winter. The song is also a new charity single to support missing people. This segued nicely into a few choruses of 'Good Rest You Merry Gentleman' with it's heartly 'good tiding of comfort and joy' refrain

The second half opened with the group singing unaccompanied the rousing ancient and traditional carol 'The Boar's Head' (first published in 1521). Starting at the back of the church, they walked down the aisle through an enthralled audience, finishing the song the front of the stage. The church acoustics working marvelously. I also loved the instrumental version that followed of another traditional carol 'In The Bleak Midwinter'. The song is based on a poem by the English poet Christina Rossetti written in 1872 and was first set to music in The English Hymnal in 1906 by Gustav Holst. This version saw Hannah on dulcimer, Kat on fiddle, Ben on Dobro, and Jamie on acoustic guitar. A third very popular traditional carol followed with a wonderful version of the 'The Holly & The Ivy' featuring Jade on lead vocals.

The 'Mistletoe Bough' is based on a horror story, which has been associated with many mansions and stately homes in England. Surprising it was a very popular Christmas song in the mid 1800's, even forming the basis of a later Alfred Hitchcock movie. It features a new bride, playing a game of hide-and-seek during her wedding breakfast, who hides in a chest in an attic and is unable to escape. She is not discovered by her family and friends and unfortunately dies. The body is found many years later in the locked chest, as a skeleton in a wedding dress.

The 'First Light Of Day' is a song written by Jade's husband Cliff who was on baby sitting duty on the night. Ben joking said that for a few years they never took much notice of what the song was called, they just nicknamed it 'Cliff's Christmas'. Jamie took the lead standing in for the absent Cliff.

It was very fitting that for the very famous carol 'We Three Kings', that they were joined on stage by one of the resident church statue 'Melchior'. When I say resident, the statue has been taken on a bit of a journey recently including the Parliament buildings, The National Theater and various London Football Clubs. The history of the statue and its journey was then told by Father Allen. Interestingly and quite uncannily the statue bore a striking resemblance to Richard Thompson, unfortunately this time without his trademark guitar. After the end of the song Father Allen come back to retrieve the statue.......so in true Elvis Presley tradition..........'The King has left the building!' 

Christmas hat time followed with the group donning various Christmas novelty hats for a cover of a Christmas Country number one from The Band called  'Christmas Must Be Tonight'. Ben joked that because it was a Country song and the first one the band had written, they included a lot of Country song references including trucks.

For the well deserved encore the group returned to the front of the stage. A sang around a retro bi-directional condensor mic that Hannah and Ben often use in their duo set. 'Raise A Candle' was a tender and heartfelt post Christmas song reflecting about the New Year. 

To end a wonderful evening of music they chose a rousing and uplifting American-American spiritual counting song called 'Children Go Where I Send Thee'.

It was an excellent concert from a group of very talented folk musicians and friends. I hope that the 'A Winter Union' tour becomes a permanent and regular fixture for many years to come. It's a early Christmas treat and a perfect seasonal musical present.

Jade Rhiannon (The Willows) – Vocals
Katriona Gilmore (Gilmore & Roberts, The Willows) – Vocals, Mandolin, Fiddle
Jamie Roberts (Gilmore & Roberts, The Dovetail Trio) – Vocals, Guitar
Hannah Sanders (Hannah Sanders & Ben Savage) – Vocals, Guitar, Dulcimer, Autoharp
Ben Savage (Hannah Sanders & Ben Savage, The Willows) – Vocals, Dobro, Guitar

Rhiannon Giddens - O2 SBE, London (17/11/17)

FREEDOM HIGHWAY TOUR

• Line-up: Rhiannon Giddens + ensemble with special guest Kaia Kater
• Date: 17th November, 2017
• Venue: O2 Shepherds Bush Empire, London
• Website: http://www.rhiannongiddens.com
• Website: https://www.kaiakater.com/
• Review By: Gary Smith (LCM)

Rhiannon Giddens has many prestigious awards and accolades to her name including a Grammy win for her previous roots 'string band', the Carolina Chocolate Drops and BBC Radio 2 Folk Singer of the Year in 2016. Watching Rhiannon and her band live last night at the packed O2 SBE, you get the impression that she could sing any type of music from Soul, R&B, Blues, Jazz, Musical Theater through to Folk, Blues and Roots music with the same level of skill and excellence. She is passionate, powerful, thought-provoking and a highly skilled vocalist, multi-instrumentalist and songwriter.  

Last night marked the latest date of her 'Freedom Highway' UK tour, as part of the excellent London Folk & Roots Festival. Rhiannon and her world class ensemble dazzled the enthralled and enchanted audience with a commanding performance of American music that blended Country, African-American Gospel and Blues, Jazz and even Hip-Hop and Cajun music as she sang, played banjo, fiddle and flat-footed. She roots it all perfectly in the rich story-telling traditions of the American South, taking us from the miseries of slavery, through the civil war and onwards to the freedom marches of the 1960's.

Opening the night was a Canadian singer-songwriter and banjo mistress Kaia Kater, who we think has a wonderful future ahead of her. Kaia released her critically acclaimed second album 'Nine Pin' last year, a powerful and emotive collection of songs with her rich, sweet and powerful vocals front and center.  Born of African-Caribbean descent in Québec, Kaia grew up between two worlds: one her family’s deep ties to Canadian folk music in her Toronto home; the other the years she spent learning and studying Appalachian music in West Virginia. Her acclaimed debut album Sorrow Bound (May 2015) touched on this divide, while 'Nine Pin' explores even further and casts an unflinching eye at the realities faced by people of colour in North America. The album draws on her own love of traditional music and is in part based on Kaia's own personal experiences.

Kaia's all too short stripped set of just vocals and banjo opened with the slow syncopated groove of the traditional 'Little Pink' about love gone bad, a lovely retelling of the ancient story of insecurity and jealousy.  Continuing her rich and personal story-telling style, Kaia's time at University in West Virginia was next covered the the intimate 'Southern Girl'. Showcasing her versatility next with the beautiful waltz the 'Harvest & The Plough', Kaia issued a dance challenge to the audience. Kaia received a banjo lesson from Rhiannon at 12 year old and on the basis of the set so far, she couldn't have had a better teacher. Almost to prove the point two beautifully played tunes followed 'Waiting For Nancy' and 'Valley Free''. Next up was the title track of 'Nine Pin' which comes from “a traditional square dance formation in which a woman stands alone in the middle of a circle of people turning around her”, but there’s a double meaning at play as the nine pin is also “one of the pins in bowling that keeps getting knocked down”. It carries the idea of resilience in the face of continuous hardships and setbacks and is perfectly suited to the song’s world weary lyrics. Kaia then saved one of the best to last with the wonderful 'St.Elizabeth', my personal favourite on her last album, with it's personal narrative around the theme of life and love in the digital age coupled with audience participated at the end of the song with its 'call and response'. Kaia has been described as "Nina Simone meets bluegrass" and we would certainly agree with that.

After a short intermission Rhiannon Giddens and her world class band exploded into the stage with the powerful, infectious and high energy 'Spanish Mary', a tale of love on the high seas. It's a song taken from the 'New Basement Tapes' a project guided by T Bone Burnett, that featured arrangements of unused Bob Dylan lyrics. This segued into some great and high energy fiddle tunes including 'Pateroller' and 'Black Annie'. Showcasing the band's versatility they quickly moved into the toe-tapping funky and jazzy piano led 'The Love We Almost Had'.

History is always a great teacher if we listen, and Rhiannon is a wonderful scholar and champion of human rights and freedom. A case in point is the very moving and powerful 'At The Purchasers Option' based around an advertisement about the sale of a 22 year old slave girl in New England in the 1700's, whose 9-month-old baby was also available “at the purchaser’s option.” She compared it to almost selling a human life like a used second hand car.

With fellow Carolina Chocolate Drops band member Hubby Jenkins on bones, almost tribal drum beats from Jamie Dick and Rhiannon with some super banjo playing, next was the instrumental 'Following The North Star' which certainly had the wow! factor. 

Immigration has always been a hot topic thought the years. The traditional unaccompanied song 'Pretty Saro' is a case in point, a English folk ballad originating in the early 1700s which traveled to America and was preserved in the Appalachian Mountains through oral traditions. 'What makes America great is it's diversity' commented Rhiannon and we wholeheartedly agree. Based on the wonderful old African-American folk tale 'We Could Fly' written by Rhiannon and Dirk Powell imagines people in slavery being able to fly and has the rich and important themes of hope and freedom. A tribute and homage to Odetta 'Water Boy' is a American traditional folk song built on the call "Water boy, where are you hidin'?" It's one of several water boy calls in cotton plantation folk tradition. I loved the stunning fiddle solo.

The next part of the programme was a wonderful Creole and Cajan two-step waltz written by Dewey Balfa called the 'Newport Waltz'. The richest and diversity of the music continued with the traditional African-American infectious spiritual song 'Children, Go Where I Send Thee'. It's also known as "The Holy Baby" or "Born in Bethlehem'. It's always great to have a Aretha Franklin cover in your set and Rhiannon did justice to the super and powerful 'Do Right Woman, Do Right Man'.

Proving that she has a very talented family Rhiannon's sister Lalenja Harriton took lead vocals for the next song 'Just One More Day', with it's soaring gospel harmonies. The fantastic R&B driven 'Better Get It Right The First Time' deals with the contemporary topic of the shootings of young black men in America and included a rapped testimony by nephew Justin Harrington.

The personal stories of slaves in the America Civil War is the theme of the very powerful and moving 'Come Love Come' with it's infectious refrain 'Come, love come, the road lies low. The way is long and hard I know. Come, love come, the road lies free. I'll wait for you in Tennessee." It's based on some of the personal accounts in a book called 'The Slaves War - The Civil War in the Words of Former Slaves' by Andrew Ward. A Roebuck 'Pop' Staples written classic and the new album's title track 'Freedom Highway' completed the main part of the set. It discusses the struggles in civil rights movement in the 1960's . The song also refers to the murder of Emmett Till at Tallahatchie River. The lyrics begin “March up freedom's highway, march each and every day.......Made up my mind and I won't turn around.".

A very well standing ovation followed for this world class band and it's incredibly talented leading lady.

Rhiannon and the band rounding of the evening of music perfectly with her tribute to Sister Rosetta Tharpe (Rock & Roll Hall of Fame nominee) "the original soul sister" and "the godmother of rock and roll and R&B" with great versions of 'Lonesome Road' and 'Up Above My Head'

Another very well deserved standing O followed. With a couple of bows and waves from the band, Rhiannon skipped and danced off stage with the sound of the appreciative sell-out audience still ringing around the venue. A superb night of music from a modern leading star of America Roots music.

• Rhiannon Giddens - Lead Vocals, Banjo, Fiddle
• Dirk Powell - Keys, Accordion, Electric/Acoustic Guitar, Fiddle, Mandolin
• Hubby Jenkins (CCD) - Banjo, Electric/Acoustic Guitar, Mandolin, Bones and Vocals
• Jamie Dick - Drums and percussion
• Jason Sypher - Bass/Upright Double Bass
• Lalenja Harrington – harmony vocals, Vocals
• Justin Harrington - Rapping and backing vocals

Reg Meuross - St. Pancras Old Church, London (28th July, 2017)

FARAWAY PEOPLE - ALBUM LAUNCH

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• Line-Up: Reg Meuross
• Location: St. Pancras Old Church, London
• Date: 28th July, 2017
• Website: http://www.regmeuross.com/
• Review By: Gary Smith (LCM)

The launch of 'Faraway People' marked the second in a trilogy of solo albums from Somerset based singer-songwriter Reg Meuross.  Simply put it is Reg's music at its most pure and intimate. The historic St. Pancras Old Church in London provided the perfect setting for a night with one of England's master musical storytellers.

The new 'Faraway People' album is a strong insightful comment on life in an ever changing and uncertain world. Lessons to be learnt from the past are also explored, echoing warnings that resonate through time and are still relevant today. Among the protest and acute observations though are moments of beauty, love and good humour. With just an acoustic guitar, banjo, dulcimer, mouth organ and Reg's vocals, we were taken on a perceptive and personal journey of discovery. We were also treated to a two sets featuring songs from the new album, unreleased songs and some classics from Reg's back catalogue.

After Reg's nightmare seven hour car journey from his home in the West Country, it seemed very apt that the first song of the set was the unreleased banjo and mouth organ led 'Songs About A Train', which echoed classic Bob Dylan. Maybe this could be the preferred means of transport next time.

Inspired by the Bob Dylan song 'The Lonesome Death of Hattie Carol' and continuing some of its themes of murder, racism and lack of justice. Reg's 'Lonesome Death Of Michael Brown' is based on the true story of a 18 year old black man killed by a white police officer Darren Wilson in Ferguson, Missouri in 2014. He was shot after Michael Brown reportedly robbed a convenience store. The initially disputed circumstances of the shooting sparked existing tensions in the predominantly black city, where protests and civil unrest erupted. A St. Louis County grand jury decided not to indict Darren Wilson and he was exonerated of criminal wrongdoing by the United States Department of Justice.

One of my personal favourites from the new album is the very topical 'Angel In A Blue Dress' exploring the power of music and the current issues within the NHS caused by failing government policy over many years. This is a deeply personal personal account of a hard-working nurse, who listens to music to help her get through the day. Reg described the piecemeal selling off of our health system back in 2015 in his acclaimed song 'England Green & England Grey'

Now available on iTunes https://goo.gl/v5jI0b This one's for all the doctors, nurses, care workers and ambulance service staff and everyone struggling to do good in a beleaguered NHS. On January 11th 2017 I had a message from a friend who is a nurse saying she was huddled in her coat in a cold and drafty corridor in her hospital where a state of emergency had been declared, and she was steeling herself for her shift and the challenges ahead by listening to music. She added that although she felt unwell herself there was no way she could not go in. I wrote this song. What can a song do? I hope at the very least it will offer some acknowledgement to these people who are doing one of the most vital jobs there is, under extreme pressure and in near impossible conditions. I also want to draw attention to the crisis in the NHS. Please listen the song, download the song, please lobby your MP, please let’s do anything we can to stop the gradual privatisation of a service that has been the envy of the world in terms of health care for so long. Reg FULL ARTICLE: goo.gl/6fDLJz CONTACT FOR INTERVIEW/QUOTES: katie@fromthewhitehouse.com Nurse - Angle In A Blue Dress She grabs a cup of coffee And she drops the kids at school She pulls into the car park But every place is full So she blows an hours wages In the public parking lot Just another little piece of her The government has got The drivers sit in silence Clutching mugs of tea ‘What’s up?’, she says. ‘No beds’, they say It's a state of emergency So she pulls her coat around her She puts her headphones in There's only room for music Underneath this skin She's the queen of soul The Diva of Distress Compassion makes her whole She's an angel in a blue blue dress Her brand new friend is dying Last night a new friend died If it wasn't for the music She knows she would've cried She knows about the sickness The loneliness & pain And she knows what doesn't break her Will soon come round again She's the queen of soul The Diva of Distress Compassion makes her whole She's an angel in a blue blue dress Written and played by Reg Meuross January 2019. Thanks to Gunter Pauler, Stockfisch Records for audio recording. www.regmeuross.com

It is always very interesting to learn about the inspirations for songs and Reg's next one the unreleased 'World Being The World' is based on a quote by Ian McShane's character Albert "Swejen" Swearengen, the proprietor of the Gem Saloon in the US TV series 'Deadwood'

In 'Leavin' Alabama' Reg imagines a meeting between two of his heroes Dylan Thomas and Hank Williams. who died within one year of each other in 1952/3.

With it's gentle finger picked acoustic guitar 'For Sophie (This Beautiful Day)' is the moving account about Sophie Scholl an anti-Nazi activist in WW2, who was part of the 'White Rose Movement'. She was convicted of high treason and executed after having been found distributing anti-war leaflets at the University of Munich with her brother Hans. Following her death, a copy of the sixth leaflet was smuggled out of Germany to the UK, where it was used by the Allied Forces. In mid-1943, they dropped over Germany millions of copies of the tract.

The finish the first set was a wonderful story and song from Reg's life on the road with Hank Wangford on his 'No Hall Too Small' UK Tour. It was a great example of Reg's sharp observational qualities. Delightful titled 'Phil Ochs & Elvis Eating Lunch in Morrissons Café' it was a sage tale of mistaken identify and eating lunch in a UK supermarket cafe.

The second half started with another 'Faraway People' album track the gentle and tender love song 'In Your Arms'.  The very topical 'Refugee' explored the current personal plight of refugees fleeing hardships and war in their own country and trying to seek refuge and a safe life with their families. For 'A Quiet Night' another unreleased track Reg turned to his trusty Appalachian dulcimer. It was graceful, delicate and tender.

Reg's next subject is 'Cicero' an influential Roman philosopher, political activist, politician & lawyer, who served as consul in 63 BC. Marcus Tullius Cicero came from a wealthy municipal family of the Roman equestrian order and is considered one of Rome's greatest orators and prose stylists. Many of the points about society Cicero wrote about still applies today, almost two thousand years later.

Complimented by SPOC's 10pm chimes, I really loved 'In Dreams'. With it chord structure and melody it had the feel of a softer REM track. When Reg first heard about New Brighton he had a romantic idea about a place like New York's Coney Island, so he wrote a song about one of it's residents the 'New Brighton Girl'. Reg said that he has since visited New Brighton and unfortunately it wasn't like he imagined it be in the song.

The final song of the set was the album's powerful. personal and through-provoking title track 'Faraway People' dealing with the many issues and deaths in the UK due to the current government austerity policies and cuts, which adversely affect the lives of so many people. All individual stories of 'faraway' people with only limited and distant voices. One of the very powerful echoing lines of the song is 'You will be unfit to work when you're dead!'

Returning for a well deserved encore the final song of the evening was a classic, the very catchy 'Man In The Moon' from Reg's 'Short Stories' album.

It was a super evening in the company of one of the UK finest singer-songwriters. 'Faraway People' is topical, thought-provoking and insightful. It's a album which will undoubtedly be another classic in Reg's already outstanding collection.

Sadie Jemmett - Green Note, London (5th July, 2017)

LCM LIVE REVIEW

• Line-up: Sadie Jemmett with special guests Ed & Ollie Goodale
• Location: Green Note, Camden
• Date: 5th July, 2017
• Website: http://www.sadiejemmett.com/
• Website: http://edgoodale.com/
• Review by: Gary Smith

The Green Note in Camden has long been regarded as the best small music venue in London. With it's super sound, listening audience and warm atmosphere, it is the favourite of many acoustic artists. Hosting some of the best musicians and singer-songwriters over the years, it has also been used to record live sessions and concerts. Famously The Shires recorded their first EP at the venue. Tonight was a another special occasion as East Sussex based singer-songwriter Sadie Jemmett had chosen the Green Note to record her new live album for release later in the year. 

First up were the special guests for the evening, two young brothers Ed and Ollie Goodale from West Sussex. Despite his young age, Ed has played extensively at gigs, clubs and festivals throughout the UK and Europe, gaining him a strong following on the modern folk scene. Ed's songs are inspired by his 'gift' of Asperger's. With Ed on vocals and acoustic guitar & brother Ollie on cajon, it was a mature performance and strong set of songs based on Ed's life and experiences. Vocally Ed reminded me of Andrew Jones from Journey Home.  The seven song set included songs about 'going with the flow', relaxing and contemplating life in 'I'm alright', 'I'm feeling fine' and 'I want to stay' to the subject of relationships and his daughter in 'Through it all'. There was the optimistic and inspirational 'Don't take no for an answer' about following your dreams as a singer-songwriter. It was also the title track of Ed's 2015 album 'The Same But Different'. The set was concluded with a moving song about their older brother serving in Afghanistan called 'Far Away'. 

Sadie Jemmett comes originally from Cambridge but spent most of her life in North London. She even ran a stall in Camden market selling fruit and juices. Sadie's music is inspired by London life and her personal experiences. It is autobiographical bohemian indie-folk, strongly influenced by the classic Greenwich Village folk music of the 1970's.

With just Sadie on stage with her finger-picked acoustic guitar, she began her set with the emotive, personal and dream-like 'I'm glad your back' taken from her 2011 album 'The Blacksmith's Girl'. Next was her ode to North London, the americana flavoured 'Up on the heath' which was dedicated to Immy, who had asked Sadie for the chords of the song so she could play them on her ukelele. The song reminded me a little of Billy Bragg.

Sadie lived in a one-bed flat with her young daughter and worked in Camden for many years. The next song was another personal take on North London life 'Five things I noticed while I walked to Camden Square'. Following perfectly was the emotive 'Stay' a love song from her 2014 EP 'London Love Songs'. Many singer-songwriters find it difficult to write a 'happy' song. The beautiful and touching 'Fighting chance' was Sadie's latest song to try and crack this elusive subject.

Very topical and timely was another new song 'Rescue street', about the perils of internet dating and the difficulty of modern relationships. Sadie said while writing the song she thought of a place where all these people were waiting to be rescued and saved. Sadie mentioned that the next song 'Another Way To Be' was written after the worse jetlag ever after flying to the US to record her debut album. After four sleepless night this was written for her young daughter. 

Sadie also lived near Dalston and the next song was another slice of London life the title track from her EP 'London Love Songs'. With an Americana feel and tackling the subject of addiction ''Adventures in Sobriety' was written for a friend who had trouble stopping drinking. He would often talk about a 'beast sat on his shoulder'. Written on a very rainy London summer's day 'These days' is a personal account of difficulties of being a single mum.

The very well deserved encore was the up-tempo country infused title track from her 'The Blacksmith's Girl' album, about a girl who goes out at night to seek her fortune. 

It was another special night at the Green Note, I wait with eager anticipation to hear the forthcoming live album.